Arts

Halfway through The Unwinding, George Packer — author of the highly praised The Assassins' Gate: America in Iraq (2005) — delineates how quickly political idealism can disappear when one becomes exposed to a world of easy money.

Lionel Shriver doesn't shy away from hot-button topics. Her breakout novel, We Need to Talk About Kevin, from 2003, was about the mother of a teen who kills seven classmates in a school massacre (it was made into a film with Tilda Swinton). Her 2010 novel, So Much for That, which took aim at the American health care system, was nominated for the National Book Award.

On the night of Oct. 19, 1984, Erik Vogel was uneasy about flying. It was snowing; his plane's de-icer and autopilot weren't working; and his co-pilot had been bumped to fit one more passenger on his 10-seater. But the young pilot was behind schedule and he felt like his job was on the line, so he took off, as he did most days, shuttling between the remote communities that dot the Canadian wilderness.

Phil Jackson is famous not only for coaching stars — Michael Jordan and Scottie Pippen with the Chicago Bulls, Kobe Bryant and Shaquille O'Neal with the L.A. Lakers — but also for his distinctive "zen" approach to basketball. He introduced his teams to yoga and meditation, and regularly assigned his players books to read.

A lot of the stand-up comedy that gets done in Los Angeles is really just comics auditioning for parts in TV or movies.

Not at UnCabaret: For 25 years, it's been a place to hear unvarnished, rough-edged ideas being tried out — mostly for the first and possibly only time.

Over the 60 years that Mel Brooks has been in the entertainment business, his name has become synonymous with comedy. He is the man who broke Broadway records for most Tony Award wins with The Producers (an adaptation of his own movie); who satirized Westerns and racism in Blazing Saddles; and who poked fun at monster movies with Young Frankenstein.

The classic children's show Captain Kangaroo aired on TV for nearly 30 years, starting in 1955. After its creator and star, Bob Keeshan, died in 2004, his estate donated a few of his beloved hand puppets to the Smithsonian.

Sometimes you need some distance to appreciate a classic.

That was certainly the case for John Williams' novel Stoner. When it was originally published in 1965, the only publication to mention the book at all was The New Yorker, in its "Briefly Noted" column. The novel received admiring reviews over the years, but sold just 2,000 copies and was almost immediately forgotten.