Fresh Air

Suzanne Collins' novel The Hunger Games and its two sequels are smashingly well written and morally problematic. They're set in the future, in which a country — presumably the former United States — is divided into 12 fenced-off districts many miles apart.

Each year, to remind people of its limitless power, a totalitarian government holds a lottery, selecting two children per district to participate in a killing ritual — the Hunger Games of the title — that will be televised to the masses, complete with opening ceremonies and beauty-pageant-style interviews.

Writing about Clark Terry in the past, I've grumbled that this great and distinctive trumpeter had long been stereotyped as a pixie-ish jazz jester. There's more range and deep blues feeling to his sound than that. It wasn't all sweetness when he was growing up poor in St. Louis, touring in the Deep South before WWII or breaking the color line with TV orchestras in 1960.

Beethoven would try as many as 70 different versions of a musical phrase before settling on the right one. But other great ideas seem to come out of the blue. Bob Dylan, for example, came up with the lyrics to the chorus for "Like a Rolling Stone" soon after telling his manager that he was creatively exhausted and ready to bail from the music industry. After going to an isolated cabin, Dylan got an uncontrollable urge to write and spilled out his thoughts in dozens of pages — including the lyrics to the iconic song.

In his latest book, Pakistan on the Brink, journalist Ahmed Rashid writes that he fears Pakistan "is on the brink of a meltdown."

"I fear almost anything could [send it over the edge]," he tells Fresh Air's Terry Gross. "There could be a major terrorist attack in the U.S. or Europe which is traced back to Pakistan. ... Then there's a very, very critical economic crisis in the country. There's no investment, no money, there's no energy — I live in Lahore. We've had no gas for six months."

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:

Transcript

DAVID BIANCULLI, HOST:

At age 44, Will Ferrell has played an anchorman, championship NASCAR driver, ice skater, an elf, and George W. Bush. What's his next challenge? Making a movie in which he speaks nothing but Spanish. The Mexican-set action comedy "Casa de mi Padre" is directed by Matt Piedmont, who collaborated with Ferrell on his website Funny Or Die. Film critic David Edelstein has a review.

These interviews were originally broadcast on March 17, 1988, March 16, 1989, and Oct. 14, 1997. You can listen to the original broadcasts in their entirety here.

I don't want to complain about Frozen Planet, however, until I dish out a little praise.

Peter Bergman, one of the founding members of the four-man surrealist comedy troupe The Firesign Theatre, died Friday of complications from leukemia. He was 72.

Bergman, along with collaborators David Ossman, Phil Proctor and Phil Austin, created satire out of the political and civil upsets of the 1960s and 1970s, blending surrealism, absurdities, non sequiturs, paranoia, parodies of the Establishment, sound effects, in-jokes about hippies and knowing allusions to literature and trash culture.

After Dave Brubeck signed with Columbia Records in the mid-1950s, his quartet made a few albums a year, and now that material has been collected in a 19-disc box set called The Dave Brubeck Quartet: The Complete Columbia Studio Albums Collection.